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Emily
of the Knight's Tale: Symbol or Strength?
Kelli
Purcell
This passeth
yeer by yeer and day by day,
Till it fill ones, in a morwe
of May,
that Emelye, that fairer was
to sene
Than is the lylie upon his
stalke grene,
And fressher than the May
with floures newe -
For with the rose colour stroof
hire hewe,
I noot which was the fyner
of hem two- (1033-1039)
Thus is Emily,
the least often discussed of the four central characters
in the Knight's Tale, described upon her first important
entrance in the tale, when the knights initially view
her in all of her loveliness. This description of Emily
fits in with the common criticism that she is more a
symbol of the beauty and goodness that chivalric nature
desires than an actual character with thoughts, actions
and emotions of her own (Donaldson 49). However, although
Emily does lack an individual nature and depth of mind,
she still has a certain power and dynamic nature about
her that is unusual for a woman in the time period during
which Chaucer wrote her story (Spearing 43).
Through her prayers to Diana
asking to remain chaste, some may argue that Emily is,
once again, merely reacting to an event, rather than
having thoughts of her own (Donaldson 49). A stronger
point, however, is made in regards to her heritage as
an Amazon woman. Rather than remain in keeping with
the popular sentiments of the day and be completely
submissive to men, Emily is showing her inherited reluctance
to become a subordinate creature (Spearing 43). She
is thereby exhibiting a rare bit of strength and showing
us that she has power in more ways than one.
Often, Emily is said to be
a conventional heroine, especially after all of the
liveliness and excitement of the portraits in the General
Prologue. This convention, however, is not necessarily
of a negative nature. All of the imagery and language
that envelops Emily is completely unparalleled within
any of the portraits in the Prologue (Cooper 110); and,
though she is a thoroughly two-dimensional character,
it is through this limited perspective that Chaucer
has tried so hard to create (Donaldson 48) that we realize
Emily's true purpose. This purpose is to serve as a
rhetorical device to allow the reader to come to a full
realization of the ideals behind the tale. If she had
any sort of individualistic characterization, it would
completely detract from her place in the story (Cooper
110). She would fail to accomplish the main goal of
the Knight's Tale; to inform the readers of ideas and
ideals of the world, rather than specific people, characters
or incidents (Donaldson 49).
True, Emily does not really
have a mind of her own. According to one critic, she
is even completely without any chance to leave an imprint
on or change in any way the world around her (Spearing
43). She still, however has a good deal of power. After
all, she is able to force two "brothers" into a state
of total rivalry before they even speak to her (Spearing
43). Once she has served this purpose, she does recede
into the background for a lengthy period of time; but,
without her, the remainder of the plot would never occur.
The happy ending, which teaches the reader the Knight's
belief in chivalric life and love, would have no heroine
and therefore be completely devoid of meaning.
Through her symbolism and
the perfect language of adoration with surrounds her,
Emily is set up to be the ultimate of all romantic heroines.
Everything about her suggests goodness, beauty and perfection.
It is through this ultimate, quintessential example
of a woman that we realize her power truly needs no
explanation (Cooper 110). Two men with the goal of a
life of chivalry and true love would naturally aspire
to this wonderful, goddess-like creature with whom they
are faced.
In conclusion, this tale,
especially through its use of Emily, the rhetorical,
perfect, but still strong, symbol, tells us more about
ourselves and our lives than a similar story with true,
individual characters could. By using these ultimate
examples, each reader is able to see the truth behind
them and, therefore, learn a bit about life and the
actions which people take. Although Emily is a symbol,
she still exhibits a marvelous quality of strength,
regardless of her lack of individuality.
Works
Cited
Benson, Larry D., ed. The
Riverside Chaucer. Boston: Houghton Mifflin, 1987.
Cooper, Helen. The
Structure of The Canterbury Tales. Athens: U of
Georgia P, 1983.
Donaldson, E. Talbot. Speaking
of Chaucer. New York: Norton, 1970.
Spearing, A.C. Chaucer:
The Knight's Tale. Cambridge: Cambridge UP, 1995.
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